Last week I played one of my favorite shows in the city – SoFarSounds. The lead up to the show may seem like a nightmare – you don’t know where you’re playing until the day of, you don’t know what bands you’re playing with, and you don’t know what the venue will be like (because it’s someone’s house). I think SoFar might do this deliberately. The only thing you, the artist, can worry about is the music. That’s a great problem to have.
DonCat played in a living room full of about 50 people sitting on the ground, listening to every little detail, every harmony and brush stroke. It’s a gift to have an audience that attentive, so you need to make the most of their attention and realize it’s in limited supply. This means making the right choices when it comes to what you bring and what you play.
Duncan and Jess sound pretty damn fantastic together. Their vocal exchanges and Duncan’s guitar work are the focus of the show. It’s their job to add the color and they do it well. I wanted to outline that color, and not muddy it up with my drum noodling. Bringing toms or playing with sticks would have interrupted their vocal work. With this in mind, I brought a really minimal set up: Slingerland Radio King snare, 13″ Zildjan Hi-Hats, my trusty 22″ Istanbul Agop ride, and a suitcase for a bass drum.
I came in thinking of two primary things: sections and dynamics. I wanted to punctuate each verse, chorus, bridge and each little lick – draw out the nuances of the song and make clear choices to accentuate them. As far as dynamics, I wanted a lot of room to work so I tried to make my quietest beat super freaking quiet so that my minimally loud playing with brushes sounded pretty loud in comparison.
It’s always a pleasure playing with Duncan and Jess, and playing for such an awesome audience. Here’s the recordings from that night. Stay tuned to my Shows page for upcoming gigs with Jess and Duncan (respectively).